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LaVern Baker

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LaVern Baker has the strange distinction of being a wildly successful performing artist, the second African American woman to be inducted into the Rock and Roll Hall of Fame as a solo artist, one of the first eight recipients of the Pioneer Award from the Rhythm and Blues Foundation, and, at the same time, unknown to far too many people. Even her Wikipedia entry calls attention to its unfinished state and includes many inaccuracies. I’ve tried to cobble together the story of her life with the most reliable information I could find.

Born Delores Evans in Chicago, she was the niece of Merline Johnson, who sometimes may have gone by Merline Baker in the clubs where she sang with the Big Bill Broonzy and Blind John Davis as the Ya Yas Girl. Many sources commonly point to another aunt: Memphis Minnie, and give her the name Merline Baker, but of all the aliases that Memphis Minnie went by, Merline was not one of them. It is possible that one errant source long ago decided LaVern Baker’s aunt was Memphis Minnie and simply ran with it, molding information about Merline Johnson to fit the fantasy.

As Delores Evans she sang gospel while growing up, until, at the age of 17, she established her first entertainment persona performing at the club DeLisa under the name Little Miss Sharecropper. As Little Miss Sharecropper, she took inspiration from a contemporary, Little Miss Cornshucks, dressing herself in a tattered cotton sack to evoke the antebellum south for the southerners that were flooding into the Chicago area. During this time she also went by Bea Baker, perhaps imitating her aunt who was said to go by Baker as a back-stage alternative to her on-stage name the Ya Yas Girl.

At nineteen, she married Eugene Williams, a postal worker in Cook County. Some time just afterwards she got a gig at the Flame Bar and recorded with the Eddie Penigar Band. Then, in 1952, she adopted LaVern Baker as the name she would use for the rest of her career after joining the Todd Rhodes Orchestra and before touring Europe. Upon her return, she was signed to Atlantic Records in 1954 as their second female artist after Ruth Brown. A year later she would have her first, and one of the biggest, hits of her career: “Tweedle-Dee.”

Directly after her release of ‘Tweedle-Dee’ it was covered by Georgia Gibbs, who, like several white cover artists at the time, were taking advantage of radio’s aversion to playing ‘black’ music by making copies that would high-jack the sales of the original records. A newspaper article from 1958 gives one rendition of the story where LaVern Baker called up her Congressman, Charles Diggs, to complain about how copyright law had to be changed to rectify the situation. As excited as I was by the idea that LaVern Baker instigated a change to copyright law, I could find no mention of amendments to the law being proposed by Charles Diggs and/or made concerning music in the mid1950s.

In 1955 Baker appeared on the Ed Sullivan show, performing ‘Tweedle-Dee’ in a line up of R&B musicians arranged by DJ Dr. Jive. Her subsequent hits, including ‘Jim Dandy,’ and ‘I Cried a Tear’ endeared her to early Rock and Roll fans. She would become known as one of the first queens of the Rock and roll era.

After a tour of Australia in 1957, her marriage to Eugene Williams was ending. They were divorced by 1958 and in 1959, or 1961, she married comedian Slappy White. Some reports say that her fame was fading by the time she left Atlantic Records in 1964 and signed up to go on a USO tour in 1966. While on tour, she fell ill with pneumonia performing in Vietnam. Her recovery was long, first in Thailand and then in the Philippines. By the time she felt healthy again, in 1967, the USO tour had gone on without her and she was stranded on the Naval Base Subic Bay with no way to get home.

Slappy White, perhaps assuming the worst, both made moves to divorce Baker and to have her declared dead. He assumed all rights to her recordings.

“I decided to quit tearing myself up and accept the fact that I wasn’t going home anytime soon. I wasn’t even sure I wanted to go, seeing as my own husband just up and declared I was dead so he could make some money off my records. He never even tried to find out about where I was or if I was alive. Who wants to go back to that?”

-LaVern Baker quoted in Bob Gulla’s Icons of R&B and Soul

LaVern Baker stayed in the Philippines from 1967-1988, performing at the NCO club at Subic Bay. While in the Philippines she had two daughters, and adopted another. Upon returning to the states she jumped determinedly back to work, performing at the 1998 Atlantic Records 40th anniversary celebration at Madison Square Gardens, and obtaining a lead role on Broadway in 1990. By the time she was interviewed by the Los Angeles Times in 1995, her health had begun to infringe on her work. A few strokes and a late diagnosis of diabetes had resulted in the loss of some memory and both her legs. Baker refused to be stopped, and continued performing until she died in 1997 at the age of 67.

Lost History

Some of the most illuminating quotation and additional details about LaVern Baker’s life, especially her years in the Philippines, comes from a 2007 first hand account by D. Armenta, a navy air traffic controller who filled in a shift at the Armed Forces Radio/Television station in Subic Bay twenty years earlier when LaVern Baker came by to tell her story. Unfortunately, only the first page was archived by the Internet Archive’s Way Back Machine (in the reference list below), and, other than the quotations made in Gulla’s book and other works, is currently lost to time like much of LaVern Baker’s story.

Works Referenced

Doodling faces

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Holidays in the Movies: April fools

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For most of my life, April Fools day would pass me by and I wouldn’t even notice. But, there is always a cause for celebration when you are celebrating with movies, and on April 1st we watch April Fool’s Day (1986). April Fool’s Day is a wonderful little mystery slasher featuring Deborah Foreman of Valley Girl, Real Genius, and a cart load of other films from my 80s childhood. Happy April Fools!

At the last minute we remembered that Killer Party (1986) should also join our celebration. Killer Party was originally going to be called either Fool’s Night or April Fool but was changed when April Fool’s Day was released by Paramount Pictures. Happy April Fools!

Spasmo

April 1st is also when we have estimated Spasmo’s birthday to be. So, Happy Birthday Spasmo!

The Old Reader

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I can’t say I am quite up to speed on the current ways the internet is built and consumed. For a long time I have cleaved to an RSS feedreader as a way to ingest news and information from multiple sources in one place. When Google phased out it’s Reader in 2013 (wiki), I had the impression that feedreaders, and the RSS feeds that populated them, were on the way out. However, with many news outlets moving primarily online and blogs never really seeming to die out as a method of online communication, I am starting to wonder if the RSS feed, and, connectedly, the feedreader aren’t more prevalent now than they were nine years ago.

There are a couple of best of round ups on feedreaders from the last two years on Wired and The Blogging Wizard, but the feedreader I have stuck to since Google, and use today, is The Old Reader. It was created to capture everything about Google Reader that Google Reader users really liked, and since then, it has grown and developed further.

This is my bubble: posts I’ve shared on The Old Reader while ingesting feeds from multiple sources

So, lately I’ve been thinking about, and talking about, the restrictive bubble of information that each one of us gets based on the media outlets we prefer and the way online algorithms tailor the content we see on the internet. This is my bubble: posts I’ve shared on The Old Reader while ingesting feeds from multiple sources. I’ve linked it as a social media account in the side bar as well. If you happen to be interested in some of the news I am reading, then that is where you can find it: from scholarly examinations of current events, DIY trends, copyright news, and library issues, the feed will feature the best of the best as determined by me in my daily reading.

One thing I know all too well is that RSS feeds don’t always integrate into website statistics. They can be a frustration to website owners and developers when trying to track a site’s impact, so if you like what you find in my shared feeds, check out the sources. I highly recommend all the original sources as well!

Candle Salvage

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Hello again, friends. I’m here with the latest installment of LeEtta’s gonna try something new, and also, making stuff with garbage. Now…picture it: central Florida 2015. A couple has moved into a 1949 block house with original bathrooms and tile floors, and spent their first winter in a house they would later call an icebox. To prepare for the next winter they get a couple more area rugs before turning their attention to the enormous fireplace in their living room.

But, even if the house is chilly during the season that Florida calls winter, it isn’t chilly enough, or chilly for long enough, for a full blown wood crackling fire. So, they outfit their fire place with pillar candles and light them up on the colder nights. Eventually they burn through 6 to or more a season.

And this is where I got really sick of tossing candle bottoms. I am sad to say I tossed a few before I cried fowl and started collecting them with the intent to reuse them somehow. Searching online I found no shortage of people doing the same. Around the same time I inherited a good deal of my grandmother’s craft stash which included a bag full of wicks. The planets had aligned.

Full confession, this year is not the first year I have tried this; it is the second. But it is the first year I felt like I had some tricks up my sleeve to share with you.

My first trick was, of course, saving more trash in order to help with this process. I only bought one pillar candle mold from the store. I didn’t really want more, and I especially didn’t want to find a place to keep any more. So, I saved up some half ‘n half, heavy cream, and salt containers of both plastic and cardboard variety.

Continue reading Candle Salvage

Pineapple slips

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Pineapple slips, baby plants

Lemon Cake

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I haven’t shared any recipe posts for a while, and this one is as simple as they come. I had a request for a lemon cake and after combing through the ideas and scraps that I have gathered I landed on a recipe that seemed right. As I always do, I tweaked it a little and have recorded it here for you in case you, like me, collect recipe ideas and scraps.

INGREDIENTS:

  • 3/4 c salted butter
  • 1 c sugar
  • 3 large eggs
  • 3 large lemons (unwaxed and zested)
  • 2 c flour
  • 1/2 tsp baking powder
  • 1/2 c Greek yogurt

Heat oven to 340 F and grease and line the bottom of a loose bottomed 8 in cake pan. Beat butter and sugar together until pale in color then add eggs one at a time. Stir in lemon zest, baking powder, and then yogurt. Spoon mixture into tin and smooth. Bake for 50 minutes or until golden and toothpick inserted in center comes out clean.

Cracking on top is a-ok. For this I just did a simple lemon sugar glaze. It is wonderfully fresh. Dense like a pound cake and moist.

Around the library

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We upgraded some lighting in our library/dining room/office, so I thought I’d share a collection of scenes including the new lights.

Loom weaving

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If you happen to have a similar internet bubble to me, then you’ll have seen loom DIY and loom weaving rise in popularity. I have recently caved to the phenomena and acquired a loom for myself. I thought it would be a wonderful and more expedient way to use up the yarn collection that lives in a corner of my guest room. It’s not that I don’t like knitting or crochet. I find the process of creating fabric from string really fascinating no matter what method. However, I sometimes lack patience and knit and crochet pieces seem to take so long.

I found weaving to be much faster, and less stretchy – for those projects that might require a little more stiffness. I used up a bunch of yarn remnants in my first experiment: a pillow cover. I had to reinforce the sides with some backing fabric, which is also where I attached the zipper. I am very pleased with it and look forward to learning some weaving stitches and techniques.

Pink bathroom!

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A few years ago I did a before and after post about the original pink bathroom in our house. Back then, maybe a year after we had been living in the house, I decided that the best way to update the dingy flat white walls was to aim for somewhere between the pink tile and the fading blue accent tile. We ended up painting it a sort of dusky violet, that, upon years of reflection, was the wrong choice. So we have embraced the pink and repainted! The new color does wonders at brightening a room that is lit only by the window and original medicine cabinet side fixtures.

What I failed to post about years ago is the mystery hole. In the half wall that separates the toilet from the sink is a built-in cavity. It is partially finished, that is, the tile wraps around the edge and is also at the back of the hole. The sides of the cavity are not tiled, nor is the bottom.

*that black strip you see in the photo is foam tape that helps hold the blue lidded plastic shoe box in place to keep the cats out of the hole.

I have scoured the internet and vintage magazines for a hint at its original purpose. Mid century bathrooms often had built in shelves for utility or display, but the bottom of this cavity is unfinished and just held a bunch of garbage. Also, it is right at toilet seat height, so it wouldn’t be useful for many things. I wondered if maybe it had an insert at one time that would turn it into a receptacle of some kind. I also ruled out toilet paper, since the tile toilet paper holder on the other side of the toilet (in the above pictures) is original to the bathroom. So, if you have an idea, let me know!

Sally Salomé Mary Bridget’s struggle for freedom

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In 1840s Louisiana, public attention was captured by the story of a German immigrant who had lived enslaved for over twenty years.  The articles communicate an alarm that a white person could be forced into the very same situation that many people of color were experiencing every day.  The story of Sally Miller was much more than mistaken identity, it explored how race was defined and performed, and how immigrant communities were encapsulated into a culture that made one race preeminent over all others. 

Based on information that came out during the court case and investigations thereafter, we now know more about Sally Miller than she did herself at the time.  She was born Salomé Müller in  Langensaultzback in Alsace on the Lower Rhine in 1814 to parents Daniel and Dorothea (“Sally Miller,” 1845; “Sally Miller,”2021).  Her parents were part of a group of about 1800 German immigrants from Alsace, mostly farmers and mechanics, who had contracted with a ships-master for passage to the United States.  The ship-master stole away with their money and left them stranded in Amsterdam. Unable to continue their journey without paying the ship owners for passage, they were stranded, until a contract for their transport was made on their behalf by the ‘Holland Government,’  so says the article in the Hartford Courant in 1846 (“The Case of Salome Muller,” 1846). 

book illustration of redemtioners at auction.
Stockton, F. R. (1896) “The Slaves of New Jersey.” Stories of New Jersey. American Book Company. https://www.mirrorservice.org/sites/gutenberg.org/2/4/7/1/24713/24713-h/24713-h.htm

Starting in 1816 tens of thousands of  Europeans, mostly German and Swiss, were leaving their countries to escape burdensome taxes, crop failures, conscription, and unemployment in the post-Napoleonic years. Upon arriving in the seaports of Rotterdam and Amsterdam many immigrants would become victims to “soul merchants” and be forced to become redemtioners, contracted to work for for free one to three years in farms and towns of the South to pay back their debt (Hasian, 2003; Sweirenga & Lammers, 1994).  Many of the 1800 Germans from the Alsace, sailing on the Johanna for New Orleans, found themselves in the same position.

In March 1818, after many deaths aboard ship during their voyage, the indenture contracts of the surviving Müllers, father, son, and two daughters, were sold to John Fitz Miller of Attakapas Parish, owner of a sugar cane plantation.  The Müller’s friends and fellow travelers did not immediately know that within weeks of their installation at the Fitz Miller plantation, Daniel and his son Jacob died of fever.  By the time family members tried to reconnect with the two girls, they had vanished (“Sally Miller,”2021). 

Sally Miller’s story was unraveled backwards for the courts after this, but I’ll try to keep it organized.  Fitz Miller, referred to as Miller in the articles, would later say in court that Sally Miller was purchased from Anthony Williams of Mobile as Bridget, a ‘mulatress.’  Miller changed her name to Mary, because he already ‘had another slave named Bridget.’    During her time at Fitz Miller’s plantation Sally Miller would be given to the Miller’s ‘colored overseer’ for a wife and would give birth to four children, Lafayette (who died about 1839), Madison, Charles and Adeline (“Sally Miller,”2021).  After  a time Fitz Miller sold her to Lewis (or Louis) Belmonti,  who owned a cabaret in a predominantly Spanish section of New Orleans.  Belmonti would recount later that he had suspected Sally Miller was white and attempted to rescind the sale,  upon which time Fitz Miller said that ‘she was white, and had as much right to her freedom as any one, and was only to be retained in slavery by care and kind treatment  (“The Case of Salome Muller,” 1846). 

It was working at this cabaret that she caught the eye of Madame Karl (or Carl) Rouff, one of the Müller ‘s fellow travelers on the Johanna.  Sally Miller was about thirty.  Madame Karl immediately recognized Sally Miller as the child of her friends; she  approached and questioned her about her past and parentage.  Sally Miller was called Mary at the time, and answered that she did not know or remember her family, and that she had always been enslaved.  Not long after this meeting, Madam Karl took ‘Mary’ Miller to Salomé Müller’s cousin and godmother, Eva Schuber and her husband Francis.  The Schubers also identified ‘Mary’ Miller as Salomé, the lost daughter of Daniel and Dorothea Müller   (“Sally Miller,”2021; “Sally Miller,” 1845; “The Case of Salome Muller,” 1846).  Friends and family of the Müller’s, local merchants, came together to file suit against Belmonti for the restoration of Salomé Müller’s freedom.

Many aspects of the trial focused on what Marouf Hasian Jr. called a performance of race. In a society where identification of race was paramount to maintaining legal division, it was important for the men who enslaved Miller to demonstrate how good and virtuous they were, and also how Miller’s own choices and behavior aligned more with non-white individuals. Miller had been classified by society as a ‘mulatress’ or someone of mixed race. She was described as having dark hair, hazel eyes, and being tanned from outside labor (“Sally Miller,” 1845). People of mixed race were difficult for the institutions of the antebellum South because they represented a taboo interaction of two races, and were difficult to categorize in a system based firmly in visual appearance. Still those actors who were responsible and interested in maintaining the categorization of races clung to characteristics, behavior, language, education, and culture as a way to discerning race classification (Hasian, 2003).

The “German mind is strongly excitable and imaginative with a fondness for the wonderful, marvelous, incredible and disposition and eager desire to believe the mysterious….”

–Hartford Courant (“The Case of Salome Muller,” 1846)

Sally Miller’s case also highlighted the difficulties of redemtioners entering into the antebellum South. In the classification systems of the South at the time, these immigrants were not considered ‘blacks’ or free whites. “They were the perfect example of what scholars today call “not-quite” white, the homeless and impoverished sojourners who lived just a few rungs above the black slaves” (Hasian, 2003). At various points in the newspaper coverage of the trial, the German family and friends of Sally Miller were characterized as silly and prone to flights of fancy as a way to undermine their contributions to her case.

Sally Miller and her German supporters did not win her initial court suit. Instead her supporters were instructed by the judge to buy her freedom; essentially to buy into the institutions and laws constructed to normalize the enslavement of non-whites (Hasian, 2003). And though Sally Miller was refused a retrial, she did bring her case to the Louisiana Supreme Court where she was ‘restored to liberty’ (“Sally Miller,” 1845). Once, free Sally Miller continued working with the court system in an attempt to secure freedom for her three remaining children, but she was not successful (“Sally Miller,”2021). Her story inspired authors of popular fiction post civil war, and was revisited again in the 21st century by John Bailey, who suggests that Miller was never Salomé Müller, but instead used opportunity and ingenuity to trick the courts into ending her enslavement (“Sally Miller,” 2021).

The most resounding part of Sally Miller’s story, to me, was the myriad of laws built around making slavery an acceptable condition in society, from defining those who may be enslaved to tracing ownership of supposed ‘property.’ The more I have studied copyright law, the more I’ve seen that law is firmly rooted in philosophy where structures of thought are built upon each other like blocks of a building. Removing one law will have ramification for the entire structure, but may not actually pull the whole building down. There are precedents and seemingly unrelated laws written with the same philosophical underpinnings still holding out, still casting a shadow.

References

Finally potting my alien crochet succulent

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A while ago I made a kind of free-form crochet succulent sculpture. At the time I was super inspired by amigurumi and food and plants that were made out of non food and non plant materials. I still love things that look like something which they are not. Anyway, this little plush thing has been beating around various cupboards until I had a realization. I am terrible at house plants.

I try to keep some houseplants. I had a succulent display on my desk for a short while until I transitioned to work from home. Once I had that plant at home it died superfast. So, I decided to pot up my plush crochet sculpture as a replacement for an office succulent. All this really entailed was carving up a left-over Styrofoam ball from a Christmas ornaments project, cutting and gluing some felt, and cleaning up a used tiny succulent pot from a long deceased house plant. Voila! a desk plant/house plant I can’t kill!

I made a thing

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Original illustration of Nora from Halloween Resurrection

This is another piece that I drew to someone else’s specifications (though they didn’t know it until they got it for Christmas). Long ago I thought I would hate to be an artist for hire and avoided all requests for drawing, but I find drawing something out of my norm to be very invigorating. Granted, my most recent experiences did not involve negotiated changes to the art. This is something I saw in my Father’s industry that steered me away from an art career of any kind.

Anyway, the picture is of Tyra Banks’ character Nora in Halloween Resurrection (wiki) enjoying a latte while her coworker is murdered on a screen just outside her eye-line. I had to composite a few different angles from the movie as the two images do not appear quite like I needed them to in the movie as I’ve seen it.

A Beautiful Video

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2021 Happy New Year from the Crafsman

We cancelled regular cable services a little while ago, and while we subscribe to some streaming channels and services, we have been getting a lot of entertainment from YouTube. I want to do a round up of all the fabulous channels and creators I have been enjoying, and the Crafsman will definitely be on it. This video is too beautiful not to share right away (that is, as soon as I’ve seen it), and perhaps every single year to come. It’s still January. Lunar new year has not yet passed. Happy New Year!

The legend of Jacquotte Delahaye

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Flag attributed to Jacquotte Delahaye By RootOfAllLight – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=86283006

Anyone searching online for Jacquotte Delahaye may get more results for historical reenactment costuming and RPG characters than any real information. Known as ‘Back from the Dead Red,’ Jacquotte Delahaye’s existence has been called into doubt by several scholars, but her story is one that puts a strong female spin on the “Golden Age of Piracy.” So far, no primary source material has confirmed the details of her life that surfaced after her supposed death. Léon Treich, a French writer of fiction, wrote the most comprehensive account of her exploits. As someone from Tampa, a city where every January we honor a famous pirate for whom there is also no evidence of existence, I though it would be fitting to celebrate Jacquotte Delahaye for this years Gasparilla Festival.

At the start of the ‘Golden Age of Piracy’ (1650-1720), Jacquotte Delahaye was already twenty. Jacquotte’s father was French and her mother was Haitian, though some scholars hypothesize that one of them must have been Spanish. Delahaye had worked as a barmaid and a lady’s maid before beginning her pirating career in order to support her disabled younger brother after their mother died in childbirth and their father was murdered in a Spanish raid of Saint Domingue by the British Navy. Unlike many other female pirates, Delahaye’s career did not seem to depend on her relationships with male pirates.

She was ruthless and successful in battle, given to violent excess and earning the nickname ‘The Lash.’ This nickname would quickly be eclipsed by a new moniker: ‘Back from the Dead Red’ after she faked her death in battle and rose again, with a male alias and in men’s clothes. The name ‘Back from the Dead Red’ also encompasses Delahaye’s most telling characteristic: bright red hair. At 26, she captured Fort de la Roche on the island of Tortuga back from the Spanish, after which she was appointed advisor to its governor.. This exploit is considered by many to be her greatest accomplishment. Seven years later she was killed in a shoot-out with the Spanish.

Delahaye is also said to have operated with Anne Dieu-le-Veut, another female pirate who showed up in the Caribbean after Delahaye’s death. Whether or not the two women existed at the same time, scholars have indicated that Delahaye’s life corresponds closely with that of Dieu-le-Veut. Was Delahaye Treich’s fictional overlay for Dieu-le-Veut? Or should we find her reported death in 1663 unbelievable, since we know she had already faked her death once before?

References

  1. Duncombe, Laura Snook (2017) Pirate Women:  The Princesses, Prostitutes, and Privateers Who Ruled the Seven Seas.  on Google books:  https://www.google.com/books/edition/Pirate_Women/zA90DQAAQBAJ?hl=en&gbpv=0
  2. Foster, S. (2020, March 1). Brave and Bold? Believe It!New Moon Girls,27(4), 16. 
  3. Gasparilla Pirate Festival (2020) Wikipedia. https://en.wikipedia.org/wiki/Gasparilla_Pirate_Festival
  4. Jacquotte Delahaye (2020) Wikipedia. https://en.wikipedia.org/wiki/Jacquotte_Delahaye
  5. Jacquotte Delahaye AKA ‘Back from the Dead Red’ (2020) Sagas of She.  http://sagasofshe.co.uk/jacquotte-delahaye-aka-back-from-the-dead-red/
  6. Klausmann, Ulrike. (1997) “Jacquotte Delahay.” Women Pirates and the politics of the Jolly Roger. Black Rose Books.
  7. The Lady Is a Pirate. (2017).In These Times,41(5), 38.  
  8. Viehe, F. W. (2011). The Underworld Never Seemed So Fair: Women as Pirates, G’hals, Mafiosas and Gangsteristas.International Journal of the Humanities,9(3), 65–93. 
  9. Were there female pirates? (n.d.) Royal Museums Greenwich. https://www.rmg.co.uk/stories/topics/were-there-female-pirates
  10. Wigington, Patti (2019) The Fascinating History of Female Pirates.  ThoughtCo.  https://www.thoughtco.com/female-pirates-history-4177454

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