{"id":7703,"date":"2017-08-02T07:42:06","date_gmt":"2017-08-02T11:42:06","guid":{"rendered":"http:\/\/www.theleemsmachine.com\/bean\/?p=7703"},"modified":"2017-11-16T13:45:58","modified_gmt":"2017-11-16T18:45:58","slug":"john-philip-sousa-and-the-fifth-string","status":"publish","type":"post","link":"https:\/\/theleemsmachine.com\/bean\/blog\/2017\/08\/02\/john-philip-sousa-and-the-fifth-string\/","title":{"rendered":"John Philip Sousa and the Fifth String"},"content":{"rendered":"

\"\"In my quest for author voices I found that John Philip Sousa<\/a>, great conductor and composer, had also penned an impassioned and oddly prophetic argument about phonograph music as a copyright infringement and a harbinger of the death of amateur music. Looking further, hoping to find more comments on copyright, I found that he had written fiction as well.<\/p>\n

Can you imagine my surprise? Marching band legend, and writer of marches that permeate pomp, circumstance, cartoons and popular culture (who I recently found out is not as well known as I expected) was also a spinner of yarns! The Fifth String<\/em> is a story that seems utterly familiar: a man going to impossible lengths to win the love of a lady, a quest to attain the unattainable, a deal with the devil, etc. The writing is perfectly engaging and walks at a pace that you might expect from a story published in 1902, and it is, every now and then, peppered with perfectly lovely imagery and delightful vocabulary:<\/p>\n

“blinking-eyed cabs came up the avenue, looking at a distance like a trail of Megatheriums, gliding through the darkness”<\/p><\/blockquote>\n

Just in case you haven’t heard any Sousa, here is the March of the White Rose (not as ubiquitous as most, but I like the beginning):<\/p>\n